From Phillips, Claes Oldenburg, The Store; and Stars (1961 and 1963), One letterpress poster and one letterpress over offset lithographic poster in colors,… By visiting our website or transacting with us, you agree to this. For licensing motion picture film footage it is advised to apply directly to the copyright holders. The Store 1961 is a letterpress textual print in black and red printed capital letters in a variety of fonts. Another theme in his work is soft sculpture versions of everyday objects. In the winter of 1961, Oldenburg circumvented the practice of selling art through a gallery by opening a storefront on the Lower East Side of Manhattan and selling his work there. (50.17 × 37.47 cm) If you notice an error, please contact us at [email protected]. They were ‘objects after the spirit and in the form of popular objects of merchandise’. The print was ostensibly produced to advertise Oldenburg’s installation The Store 1961, which consisted of individual sculptures of everyday consumer goods such as foodstuffs and hardware – all of which were for sale during the 1961 show – that were made mostly of enamel-painted plaster constructed on wire armatures (one example is Counter and Plates with Potato and Ham 1961, Tate T01239). We would like to hear from you. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. The print was ostensibly produced to advertise Oldenburg’s installation The Store 1961, which consisted of individual sculptures of everyday consumer goods such as foodstuffs and hardware – all of which were for sale during the 1961 show – that were made mostly of enamel-painted plaster constructed on wire armatures (one example is Counter and Plates with Potato and Ham 1961, Tate T01239). If you have additional information or spotted an error, please send feedback to [email protected]. Giant BLT, among the earliest of Claes Oldenburg’s soft sculptures, joins other cafeteria edibles in his work, such as the painted plaster reliefs he produced for his 1961 environment The Store, or his soft treatments of hamburgers, ice cream cones, and French fries. The Store caught the attention of the high-profile Green Gallery on 57 th Street, where Oldenburg displayed his three colossal sculptures Floor Cake, Floor Cone, and Floor Burger, sculptures in stuffed, painted and sewn canvas, in 1962. 1929) Candy Bars from Candy Counter in The Store two elements--plaster painted with enamel blue: 6 x 1¼ in. Among the unorthodox, eclectic offerings were sculptures of undergarments and slices of blueberry pie and other pastries made out of painted plaster. red: 5½ x 2 1/8 in. With his saggy hamburgers, colossal clothespins and giant three-way plugs, Claes Oldenburg has been the reigning king of Pop sculpture since the early 1960s, back when New York was still truly gritty. View Claes Oldenburg’s 3,577 artworks on artnet. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. The poster purports to advertise the installation while also being a part of it. The Store by Claes Oldenburg - AbeBooks Skip to main content abebooks.com Passion for books. (15.2 x 3.1 cm.) If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). The text of the print reads: ‘Ray-Gun Mfg. 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